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40x40cm 2020
This work was influenced by artists contemporary and not so who painted on dark velvet fabric. This painting is 1 of two. The second one is painted on a contemporary newspaper page.
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40x60cm 2020
We are blessed with the native birds that frequent our property and flit in and out of both native and exotic plants. The parrots, especially the rosellas love eating from the red/white salvia in our yard outside my studio window. I painted this rosella with an orange touch as a nod to nature’s infinite variability.
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40x60cm 2020
Birthday lockdown was a walk along the Olinda Creek trail, through the wetlands westward to the horse yard. We stopped by the farm and watched the animals in the light drizzle.
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40x60cm 2020
The two works were painted in different colourways. The first on a cheery, sunny early spring morning. The second on clear, but cold Spring morning.
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40x60cm 2020
The two works were painted in different colourways. The first on a cheery, sunny early spring morning. The second on clear, but cold Spring morning.
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40x60cm 2020
The early Spring sun was glowing into the east facing garden. Its amazing when you are watching nature, she can show here glowing beauty, just to remind us of the possibilities if we look after the land. The ferns in the front yard are all self-sown and are now 30+years old. There is nothing average about the weather and our gardens have managed through drought, rain, storms, bushfire smoke and ash, high winds, the occasional freezing morning and the even less frequent drop of snow. We do maintain them, feed and when necessary water them. And we are rewarded.
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40x40cm 2020
Another interpretation of our native birds searching for the scarce feed after the fires and smoke damage of the 2019/20 national summer bushfires. The birds, like much of our native fauna are foraging where they can. The grey early morning winter sky highlights the brilliant colours of the parrot. Perhaps, the bright shadows surrounding the parrot and green shoots are providing protection and sustenance.
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40x80cm 2020
This work recognises the workings of entropy of nature. It is a nod to the artist Tim Silver. Many of his sculptural works is related to the concept of entropy. That is all in nature is in a perpetual state of entropy: the theory that all forms and systems are in a constant state of decay or change. This idea permeates both his objects and installations, themselves captured in this process of decomposition through free falling photo-narratives.
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40x40cm 2020
We planted two Waratah around 30+ years ago. Like most, they took their time to take and develop. Today, one is around five metres tall and the other not much more than two. The tall stands over a narrow subsurface watercourse and next to a fast-growing tree fern, both competing for the eastern and northern light.
Full description below. -
60x40cm 2020
The blooming of our wild sparaxis is one of our strongest signifiers of a change in our climate. We have been in the same home for around 50 years. We see the wild sparaxis growing sparsely. Mostly they have been very ordinary in colour but this year we’ve had number of the brighter harlequin colours.
Full description below.
