A painting is taken from a blurry satellite image of part of Far North Queensland. Part of an area designated as a potential export and local “Food Bowl”. In 1998 we travelled through the Western Australia area reported upon and in 2016 through the Far North Queensland areas.
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40x40cm 2020
This painting is a poignant one. This painting is for all warriors. There are warriors in our family amongst our many friends, colleagues, and acquaintances. There are warriors, past, present emerging, and future. There are warriors who we hear about and those who we don’t.
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40x40cm 2020
From a stop along the lake wall during a winter’s walk around the Lilydale lake we were able to view an approaching storm. We see, feel and hear storms and other effects in nature such as fire, flood, drought and wilful destruction of our environment. Perhaps like the fauna, and those who have been directly affected, we need to consider the “why is it so” in the incidence of the increasing variability and ferocity of nature’s actions.
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40x40cm 2020
Spring came early and with the flowering of the Kangaroo Paws came the wisteria blooms overnight falling making a new bed of compost for the next season. Nature feeding Nature. Something we can all learn from. The bright early morning spring light has cast the Wisteria blooms on the paving as fallen snow.
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40x40cm 2020
The dark early morning winter’s sky caught a flock of King Parrots feeding on the tips of the Pin Oak. Food is scarce after the fires and smoke damage so the birds are foraging where they can.
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40x40cm 2020
My birthday coincides with the blooming of our larger Orchids. My wife presented this Orchid cane full of blooms to me on my Birthday. This orchid lives under our Wisteria trees and is mostly left to its own ways. When it blooms it usually throws a number of canes full of beautiful flower. I painted this cane against a dark velvety backdrop to enhance the spirit of Spring’s renewal emerging after a dark Winter’s slumber.
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40x40cm 2020
Under the shadow of the mist, looking up through the tree, the early spring leaves on the pin oak were starting to thicken up. Looking up I could see a misty dampness on the new spring leaves. Like confetti, creating a ceiling of sparkling bubbles.
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40x60cm 2020
Walking down through our Powerful Own sanctuary towards our “Rainbow Trail”, so named by the chalk drawings made during our long winter lockdown by the many children on the pathways to the trail, our eyes were taken up to a flock of ducks in an old long dead tree. The tree with its top long blown out was being used as a resting spot for the ducks. Down below was a small seasonal lake that was also used by these casual visitors.
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40x40cm 2020
Walking through the Olinda Creek wetlands we came across a reed protecting billabong. The lone Ibis was hiding, resting, relaxing, looking for a feed perhaps waiting for a mate. The beauty of the ordinary is always around the corner, waiting, but mostly unsighted by human eyes.
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40x40cm 2020
This work was influenced by artists contemporary and not so who painted on dark velvet fabric. This painting is 1 of two. The second one is painted on a contemporary newspaper page.
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40x40cm 2020
Another interpretation of our native birds searching for the scarce feed after the fires and smoke damage of the 2019/20 national summer bushfires. The birds, like much of our native fauna are foraging where they can. The grey early morning winter sky highlights the brilliant colours of the parrot. Perhaps, the bright shadows surrounding the parrot and green shoots are providing protection and sustenance.
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40x40cm 2020
We planted two Waratah around 30+ years ago. Like most, they took their time to take and develop. Today, one is around five metres tall and the other not much more than two. The tall stands over a narrow subsurface watercourse and next to a fast-growing tree fern, both competing for the eastern and northern light.
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60x40cm 2020
These two works Changin' seasons #1 2020 and Changin' seasons #2 2020 recognise the workings of entropy of nature. Entropy: the theory that all forms and systems are in a constant state of decay or change. Nature is in a constant state of impermanence. In these two works represent time-lapsed views of one of our stunning Canna lilies. I have changed colours to demonstrate the changes that we don’t see. Like colours we don’t see, these colours represent the slow changes, the impermanence in the life cycle of our beautiful Calla lily.
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60x40cm 2020
These two works Changin' seasons #1 2020 and Changin' seasons #2 2020 recognise the workings of entropy of nature. Entropy: the theory that all forms and systems are in a constant state of decay or change. Nature is in a constant state of impermanence. In these two works represent time-lapsed views of one of our stunning Canna lilies. I have changed colours to demonstrate the changes that we don’t see. Like colours we don’t see, these colours represent the slow changes, the impermanence in the life cycle of our beautiful Calla lily.
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40x60cm 2020
This painting represents the abstraction of a melting city. During 2020, COVID19 pandemic has numbed us to the volatile changes in our climate. Heating of our planet continues, the pandemic has mediated our of mind away from climate change. In 2020, rather than heatwaves we had violent windstorm wreaking havoc around where we live. Elsewhere Artic and Antarctic ice shelf have melted or broken off. Sea temperatures continue to rise, greenhouse gas emissions many have slowed, but they have not abated. Changes in the Atlantic gulf stream could lead to increasing volatility and rising temperatures in the Northern hemisphere. Heatwaves, the increasing ferocity of storms are with us for the foreseeable future.
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40x60cm 2020
A different kind of “hard rain” is falling today. Whether it be a viral pandemic (with increasing mutations) or climate change or trade wars or identity crisis or financial destruction- crises are mounting up. We all see one or more in increasing strength. These crises have been reflected and reported upon by governments, industry, unions, NGOs, scientists, health professionals, media, the general public on over the past 50 years. There is no more time to reflect on these changes in the natural environment. In this painting, as the rain falls the reflection of humanity is blurred by mounting anxiety and frustration at a lack of action at both governmental and general public levels. Dylan’s 1961 prophesy has become today’s high possibility if not probability. Even “standin’ on the highest mountain” won’t stop the sinkin’.
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40x60cm 2020
The climate change aspect that is visible to most is the increasing volatility of land based weather patterns. In this painting a storm emerges and takes a human/animal shape as it wreaks havoc across a food producing region. Climate change, vicious and violent weather conditions, earthquakes, movements in Earth’s tectonic plates, volcanic eruptions, tsunamis, heating and cooling have always been a part of our Earth’s continuous natural evolution. Today, the environmental discussions now focus, not on the natural evolutionary changes, but on the fast-paced climate change and global warming caused by increasing greenhouse gas emissions, waste pollution on land and in particular the seas, degradation of seas and land used for food production causing food shortages, famine, massive increases in peoples being displaced and the list goes on.
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40x60cm 2020
These two paintings, It's a riddle wrapped in an enigma, who has a key?; and We’re chasing our tail, represent the antithesis to the philosophy that man’s “moral greatness” can control nature. Perhaps man can occasionally mediate or to repair damage made. Man can attempt or seek to control nature, through science, technology, sheer brute force, but at what cost to either upstream or downstream or both – in every sense. The riddle quote is taken from Winston Churchill 1939 BBC broadcast said “I cannot forecast to you the action of Russia.
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40x60cm 2020
During the 2019/2020 Australian summer, bush fires raved much of the country. The fires were brought to a conclusion through fire-fighting efforts, but in the main through massive rain falls. This painting illustrates one such deluge on a dystopian landscape. The deluge on a fire ravaged landscape, whilst assisting in the controlling and elimination of the fire can cause even more damage to land and infrastructure and create further problems for rescue and future reconstruction.
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40x60cm 2020
The notice board is fast changing from plenty to drought, fire and famine. What is to be done?
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40x60cm 2020
Spring 2020 was cold. One cold November afternoon a couple of Kookaburra’s landed on the clothesline as they are often doing. The frozen line is juxtaposed against the warm colours of the clothes pegs has made for a humorous image...if only climate change did not have such serious connotations to all living things.
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40x60cm 2020
We live on the East of a hill side so rarely see any sunset colour During Spring we had a number of days with number high wind leading to much damage in our township. We also experienced and thunderstorms, interspersed with “red sky at night, shepherds delight” sunsets. Yet these sunsets have been seen before increasingly angry storms. This painting has been foregrounded by home and a magnificent Mahogany Gumtree. Climate change is with us we see increasingly more ferocious storms in our region.
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40x60cm 2020
Or “rainbow trail” passes by a protected natural forest area called Owl Land, a habitat for the protected Powerful Owl. This land has been severely hit of late by ferocious windstorms which have brought down significant number of old trees. Whilst the Powerful Owl is rarely seen, their hooting is heard around the Owl land and in our adjacent tall Eucalypts. I have imagined the Owl with fallen or broken trees above a now lowered canopy watching a passing sunset storm.
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60x40cm 2020
This painting is based on XXXXXX overlaid by a newspaper article relating to Climate change and a proposal for an Australian Integrity Commission. I wanted to use this article as it covered both the issue of climate change and the need for Australian Government stronger policy direction in climate change and the release of a policy proposal for an Australian Integrity Commission.
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40x60cm 2020
In this painting I have created a possible scenario on the aftermath of a bushfire. Having been into bushfire recover zones, I’ve seen the indiscriminate way fire acts. Some areas are destroyed others partially and some not touched. We don’t live in never never land and it is argued that Climate Change has contributed to the seemingly increase of bushfire / weather ferocity.
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40x60cm 2020
The 2020 COVID19 pandemic, just happened. Pandemics have occurred before, some have mutated, some came and went, all killed. Science at it’s most brilliant is no match for fake news or political pressures. This painting represents an event that “just happened” an uncontrolled explosion of a globally infectious, hostile and deadly virus aggressively mutating. How it happened is important, how it took global control is important, and why some countries did better at infection control than others is important, even more so.
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40x60cm 2020
This painting represents the antithesis to the philosophy that man’s “moral greatness” can control nature. Perhaps man can occasionally mediate or to repair damage made. Man can attempt or seek to control nature, through science, technology, sheer brute force, but at what cost to either upstream or downstream or both – in every sense.
Full description below. -
40x60cm 2020
When it comes to climate conundrums a key aspect of inaction is that locally, nationally, and globally there is a lack of consensus from across a wide spectrum of primary, secondary, service, tertiary and quaternary industries on the policies and actions needed to curb increasing global pollution and the continuing degradation of Earth land, sea and air resources. This feeds into the political systems across the world and the lack of will of many to arrive at a consensus on a whole range of environmental and climate conundrums.
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40x40cm 2020
In early winter, 2020, new arbours were constructed, and our vigorous Albertine’s rambles were pruned, and the strong leaders redirected into more sunlight. Albertine has always bloomed around mid-November for our Daughters Birthday. This year the clusters of fragrant double flowers, started budding early in mid-October. Perhaps, blessed this year with more sunshine and more rain the large soft pink blossoms were in full bloom in late October – two weeks early. Albertine was a gift and has been with us for over 30 years. A gift that keeps on giving.
